{"id":2473,"date":"2024-10-07T08:06:29","date_gmt":"2024-10-07T15:06:29","guid":{"rendered":"https:\/\/hiroyokaneko.com\/?page_id=2473"},"modified":"2024-11-22T00:00:29","modified_gmt":"2024-11-22T08:00:29","slug":"resume","status":"publish","type":"page","link":"https:\/\/hiroyokaneko.com\/ja\/resume\/","title":{"rendered":"\u30ec\u30b8\u30e5\u30e1"},"content":{"rendered":"

Education<\/strong>:
\nMFA \u00a0 Photography, San Francisco Art Institute, San Francisco, 2005
\nBA \u00a0French Literature, Meiji Gakuin University, Tokyo, 1987<\/p>\n

Professional Experience:
\n<\/strong>2024- Adjunct Lecturer, Creative Art and Social Science<\/span>, College of San Mateo, San Mateo, CA
\n2022-23 Adjunct Lecturer, Art and Art History, Santa Clara University, CA
\n2017- Adjunct Lecturer, Creative Art, De Anza College, Cupertino, CA
\n2016 \u00a0 Visiting Lecturer, Art Studio, University of California, Davis, CA
\n1997- Freelance Photographer and Writer<\/p>\n

Awards\/Grant:
\n<\/strong>2024\u00a0 Creative Work Fund, Fruit Tree Portrait Project in Planting Justice
\n2022\u00a0 The 32nd Society of Photography Japan Award
\n2022\u00a0 Uemachi-Daichi Contemporary Art Grant, Arts Support Kansai, Osaka, Japan
\n2022\u00a0 Tadahiko Hayashi Photo Award Finalist, Yamaguchi, Japan
\n2021\u00a0\u00a0 ReEntry Through the Arts Teaching Artist in Residence, Kala Art Institute x Planting Justice, Berkeley, CA
\n2017\u00a0\u00a0\u00a0<\/strong>1st place in PCNW 21st Juried Photography Exhibition (Juror: Sandra Phillips)
\n<\/strong>2012 \u00a0\u00a0Philadelphia Museum of Art, Photography Portfolio Competition (Jurors: Peter Barberie, Andrea Modica, Vince Aletti)
\n2009\u00a0\u00a0 Santa Fe Prize for Photography (Juror: Charlotte Cotton)
\n2009 \u00a0\u00a0People\/Places\/Things: an International Photo Competition Celebrating En Foco\u2019s 35th Anniversary (Honorable Mention)
\n2009 \u00a0\u00a0Asahi Shinbun Foundation Art Grant
\n2005 \u00a0\u00a0Paul Sack Photo Award
\n2003 \u00a0 MFA Merit Scholarship, San Francisco Art Institute<\/p>\n

Solo Exhibitions:
\n<\/strong>2023 \u00a0 Appearance, Poetic Scape, Tokyo
\n<\/strong>2020\u00a0\u00a0\u00a0Appearance, Poetic Scape, Tokyo
\n2020\u00a0\u00a0\u00a0Appearance, The Third Gallery Aya, Osaka
\n2019\u00a0\u00a0 Garden Project, Social Art Lab, Kyushu University, Fukuoka
\n2019\u00a0\u00a0 Garden Project, Gallery Mestalla, Tokyo
\n2018\u00a0\u00a0\u00a0Appearance, KU REN BOH, Chohouin Buddhist Temple Gallery, Tokyo
\n<\/strong>2017 \u00a0 Appearance, Nikon Salon Gallery, Tokyo and Osaka
\n<\/strong>2013 \u00a0 Comes to the Light, Gallery Ishi, Tokyo, Japan
\n2012 \u00a0 Steam & Ice, Red Poppy Art Center, San Francisco
\n2012 \u00a0 Unfolding Lives In Tohoku, Rayko Photo Center, San Francisco
\n2009 \u00a0 Nagasaki Dialog, Nagasaki City Library, Nagasaki, Japan
\n2009 \u00a0\u00a0Nature\/Nurture, Two persons show with Betsy Weis, Rayko Photo Center, San Francisco
\n2009 \u00a0 Sentimental Education, MIAD Perspective Gallery, Milwaukee Institute of Art and Design, Milwaukee
\n2008 \u00a0\u00a0Each Sun, Two persons show with Chris McCaw, Togonon Gallery, San Francisco
\n2006 \u00a0 The Three Cornered World, Japan Information Center, Consulate General of Japan, San Francisco
\n2004 \u00a0 fountains, Diego Rivera Gallery, San Francisco
\n2002 \u00a0 Nagasaki Dialog, Photographers\u2019 Gallery, Tokyo
\n2001 \u00a0 Bushes and Palace, Gallery La Camera, Tokyo
\n2001\u00a0\u00a0 Bushes and Palace, The Foreign Correspondent Club Of Japan, Tokyo<\/p>\n

Selected Group Exhibitions:
\n<\/strong>2024\u00a0 Recovery, MIMOCA Museum of Contemporary Art, Kagawa, Japan
\n2023\u00a0 Renewing the Modern, The National Museum of Modern Art, Tokyo, Japan
\n2022\u00a0 Alternative Roman, Sakaguchi-ro, Osaka, Japan
\n2021\u00a0 Paris Photo, Grand Palais Ephemere, Paris
\n2018 \u2013 2021\u00a0\u00a0\u00a0<\/strong>Feast for the Eyes: The Story of Food in Photography curated by Susan Bright, author of Feast for the Eyes: The Story of Food in Photography, and Denise Wolff, Senior Editor at Aperture Foundation, Louisiana Museum of Art and Science, FOAM, C\/O Berlin, The Photographers\u2019 Gallery, The Polygon Gallery, and Hasselblad Foundation
\n<\/strong>2019\u00a0 Ancestral Journeys, Euphrat Museum of Art, De Anza College, Cupertino, CA
\n<\/strong>2017\u00a0\u00a0\u00a0<\/strong>THERE IS NO ALAS WHERE I LIVE, Curated by Ann Jastrab, Jenkins Johnson Gallery, San Francisco, CA
\n2017\u00a0\u00a0 21st\u00a0Juried Photography Exhibition, Photographic Center Northwest, Seattle, WA
\n2016\u00a0\u00a0 Zones of Representation, SF Camerawork, San Francisco, CA
\n<\/strong>2015\u00a0\u00a0 Voices, Kala Art Institute, Berkeley
\n2015\u00a0\u00a0 Heat, SF Camerawork, San Francisco
\n<\/strong>2015\u00a0\u00a0 3@6\u00d76, face\/people\/action, curated by Hiroyo Kaneko, PHOTO, Oakland
\n2014\u00a0\u00a0 Local Treasures: Bay Area Photography, curated by Anne Veh, Berkeley Art Center, Berkeley
\n2013\u00a0\u00a0 Nature as Muse, Murray Circle at Cavallo Point, Sausalito
\n<\/strong>2011\u00a0\u00a0 Fukushima \u2013 Opening Doors with Compassion, Lutherkirche, Cologne, Germany
\n2011\u00a0\u00a0 LOST WORLDS > < MAKING WORLDS, Murata & Friends, Berlin, Germany
\n2010 \u00a0 THINGS ARE EXPANDING, Swarm Gallery, Oakland
\n2009\u00a0\u00a0 Photography Now: China, Japan, Korea, San Francisco Museum of Modern Art, San Francisco
\n2008\u00a0\u00a0 EIGHTEEN MONTHS: TAKING THE PULSE OF BAY AREA PHOTOGRAPHY, San Francisco Art Commission Gallery, San Francisco
\n2007\u00a0\u00a0 Elusive Subjects; James Welling, Sanna Kannisto, Jun Shiraoka, Hiroyo Kaneko, curated by Hiroyo Kaneko, Togonon Gallery, San Francisco
\n2007 \u00a0\u00a0Small Ambitions; A Perspective, Togonon Gallery, San Francisco
\n2007 \u00a0\u00a0Close Calls 2007, Headlands Center for the Arts, San Francisco
\n2005 \u00a0\u00a0Conversation With The Wall, Root Division Artists Space, San Francisco
\n2005 \u00a0\u00a0Master of Fine Arts Graduate Exhibition, Herbst Pavillion, Fort Mason, San Francisco
\n2005 \u00a0\u00a0MFA (Maestras of Foto Art) Exhibit, Focus Gallery, San Francisco
\n2004 \u00a0\u00a0image, object, back, forth, Diego Rivera Gallery, San Francisco Art Institute,
\n2002\u00a0\u00a0 PHOTOGRAPHY TODAY 2 \u2013 [sait] site\/sight, The National Museum of Modern Art, Tokyo<\/p>\n

Monographs:<\/strong>
\nAppearance, with essays by Lisa Sutcliffe and Ann Jastrab, Seigen-sha, 2020<\/p>\n

Collections:<\/strong>
\nSan Francisco Museum of Modern Art
\nPhiladelphia Museum of Art
\nNational Museum of Modern Art, Tokyo<\/p>\n

Catalogs:<\/strong>
\n2014 \u00a0 \u201cLocal Treasures: Bay Area Photography\u201d, Berkeley Art Center, Berkeley, CA
\n2010 \u00a0 \u201c3x3x3\u201d, a collaborative project with Mayumi Hamanaka and Satoshi Nakashima for THINGS ARE EXPANDING, Swarm Gallery
\n2002 \u00a0\u00a0\u201cPhotography Today 2 \u2013 [sait] site\/sight\u201d
\n2001 \u00a0\u00a0\u201cBushes and Palace\u201d
\n1999 \u00a0\u00a0\u201cAlong Leaves\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Education: MFA \u00a0 Pho…<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2473","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/pages\/2473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/comments?post=2473"}],"version-history":[{"count":0,"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/pages\/2473\/revisions"}],"wp:attachment":[{"href":"https:\/\/hiroyokaneko.com\/ja\/wp-json\/wp\/v2\/media?parent=2473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}